Tag Archives: The Simpsons

Happy Birthday, Edward Hopper!

I’m sure you’ve seen this iconic painting, “Nighthawks

I love this painting. A great quote about Edward Hopper’s work says it  “depicts loneliness and beauty in a uniquely stark yet pleasing fashion“…man, that’s just perfect.  Happy Birthday, Edward Hopper!

I even love the famous takeoff on it featuring Elvis Presley, James Dean, Marilyn Monroe and Humphrey Bogart as the four characters; it’s called Boulevard of Broken Dreams“. The obvious explanation for the title is that these are four icons of music and film sadly gone too soon.

I was given a coffee cup with both images on it as a gift; I can’t bear to use it for fear the images will fade from washing. Another gift, the two versions on crisp 6×9 postcards, framed and matted, hangs proudly over my right shoulder as I type this. (I guess when it comes to gift hints I’m as subtle as a cabbage fart.)

There are many other takeoffs on this famous painting, several are listed at this great site called Nighthawks Forever.

My favorite is the one featuring The Simpsons.

But enough about me! Today’s post celebrates the birthday of Edward Hopper, the man who painted that famous image I fell in love with the first time I saw it. Hopper’s style was very unique; if you enjoy noir films and period programs like Mad Men, you really should check out his work.

Did you know that Steve Martin is a Hopper collector? Check out this DVD.

Looking at these again today also made me pull out my old copy of Rock Dreams, the book by Guy Peellaert and Nik Cohn that is loaded with great caricatures of rock stars. Peellaert did the covers of Diamond Dogs and It’s Only Rock And Roll (by David Bowie and The Rolling Stones, respectively). Grab a copy if you can find one.

Hell, he knew Keith was a pirate thirty years before Johnny Depp did!

Who said art had to be stuffy, anyway?

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TV or not TV?

Get back here and WATCH ME, dammit!!

It’s been an interesting year for television.

With ratings sinking, cheap reality programming gaining traction and a couple of long-running landmark programs coming to an end, the landscape for the next year or two might be a complete crapshoot. 

Although I don’t spend my time wallowing in celebrity gossip, I do find the machinations of the television industry fascinating. And this year has been particularly bizarre, with the whole Leno/Conan debacle the biggest story of the year – unless you want to separate Leno’s return to The Tonight Show from the single greatest disaster in prime time history. Ironic that Jay would make Headlines wither way. 

"Man single-handedly kills 15 hours of broadcasting"

Somehow The Simpsons keeps rolling along, South Park remains controversial and long running franchises Law And Order and CSI Wherever multiply like rabbits. Networks try to feed us more copycat cop crap, lame lawyer shows and miserable medical dramas. When they come up with something original (FlashForward) or even a reinvention of a past success (V) they forget that a complex serialized drama can’t have a huge gap in its schedule or momentum will be lost. (And speaking of Lost, someone at ABC couldn’t even understand the concept of  the phrase “uniterrupted schedule”, choosing to air a repeat episode April 25th). 

Fox has announced that 24 is ending this season, no doubt largely in part to the high cost of the program. But they hit the jackpot with Glee, and hopefully will pour some American Idol profit into keeping the wonderful Fringe alive. NBC looks like it might finally have a Thursday night comedy block again (Community, Parks and Recreation, The Office and 30 Rock) but is scrambling to replace the third of their schedule that The Jay Leno Show wiped out. If ABC drops it’s two high-priced sci-fi shows and cancels Heroes, they virtually  concede Monday and Tuesday nights; only Castle and Modern Family have broken the mold of celebretard programming. CBS might have found a winner in The Good Wife but the network is still more likely to clone a show than create one. 

 It’s not all hopeless. USA came up with a winner in White Collar which should help ease the loss of Monk.  Friday Night Lights returns this week thanks to the cost-sharing deal between NBC and DirecTV, whereby DirecTV gets to air the series on pay TV in the Fall, then NBC gets to air it on broadcast TV in the Spring. (Maybe that strategy can save shows like Damages and Southland; adult oriented drama that doesn’t pull vampire numbers in the ratings.) 

And the summer brings us basic cable winners like The Closer and Rescue Me and Mad Men as the more nimble basic cable channels like TNT, AMC and FX counter-program the dead season. Elmore Leonard on television is a good thing.  Louis C.K. on television is a good thing. 

If the smaller channels can get it right…why can’t the major networks? Pretty soon it’s all going to be internet television anyway, so the smart and savvy will survive. There is still a large audience that wants great storytelling and well-written comedy

But every year I still cringe when brilliant shows get cancelled. Watching the slow death of Better Off Ted was reminiscent of Arrested Development’s demise, only accelerated. And why would you have a show called The Unusuals and not let it be…unusual? But I could just be bitter. Hell, I still haven’t forgiven CBS for cancelling EZ Streets. 

There are a few excellent resources for those of you looking into that crystal ball wondering what’s happening with your favorite shows…or with the schedule in general. You’ll probably want to bookmark them. The week of May 17th might be D-Day for many of these programs as the networks finish Sweeps and sharpen the axes.

 

The Futon Critic is an excellent resource for TV news and even includes this handy guide to how many episodes are left for each program. Shows are listed by network in a cancel/renewal status grid  (note that a lot of them are TBD). 

The aptly named Is My Show Cancelled site focuses on just that very thing. 

TV By The Numbers takes a more statistical approach to the situation, tracking ratings on a daily basis and making some predictions based upon trends and historical decision points.

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April 19th? Really?

Quite a coincidence that on this very date two senseless and related tragic acts took place, and it’s interesting how differently history looks back on them.

  • 1993: The Waco Siege took place at the Branch Davidian Complex after a 51 day stand-off. The question of “who fired first” is still hotly debated, and I think that image of Janet Reno staring over her glasses will be singed into my brain forever.
  • Exactly two years later in 1995 was the Oklahoma City Bombing…a shocking act of terrorism committed by an American whose motive was largely tied to the government attacks at Waco and Ruby Ridge. (If you also lost someone in the Oklahoma City Bombing, you’re probably aware of the National Memorial, which was dedicated on this day in 2000, five years after the bombing. Peace.)

It’s frightening to think how these events took place during a period of time when America was enjoying prosperity. Makes you wonder what to expect now…the global economy is in a tumble, a nutjob in North Korea is flaunting nukes, and pirates in rowboats somehow blatantly challenge the world’s superpowers on a daily basis by capturing vessels in the most important shipping lane in our oil-dependent world. Are we all going crazy?

But somehow we get through tough times. I do it with humor and music. It’s the only way I can stay sane in the face of madness. Hopefully you have your release as well.

And speaking of madness, something good happened on April 19th. It was on this date in 1987 when we first saw The Simpsons as a feature on the Tracey Ullman Show. Twenty-two years later they are still rocking our world as the longest running sitcom and longest running animated program in television history. And after this year, they will break the tie with Gunsmoke as the longest running prime time television series in history. Cowabunga, man!

Here’s some great Simpsons trivia.

simpsons_familypicture

Homer: Got any of that beer that has candy floating in it? You know, Skittlebrau?
Apu: Such a beer does not exist, sir. I think you must have dreamed it.
Homer: Oh. Well, then just give me a six-pack and a couple of bags of Skittles

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