Tag Archives: Tinted Windows

T.G.I.F. – Ten Absent Artists

I hope they're not lost...

As I’m going back and revisiting the year, I’m reminded once again of those artists I hoped to hear from who didn’t pop up and release an album. Some of them might just be in the normal development cycle, but for others it’s an unusual gap between efforts. I know they won’t all go on forever, but there are many who are still creating at a high level and I selfishly want more from them. I am the customer, after all, and rumor has it that I’m always right.

It’s not too much to ask, is it? Jason and The Scorchers reformed and released an absolute gemDwight Twilley came out with a brand new album this year after a half-decade of vault outtakes. Robert Klein has a new comedy release scheduled for January. I’m not going all Tinkerbell on you here, but things can happen. (Clapping hands is optional.)

So here are Ten Absent Artists – I hope each of them read this and kick it into high gear. I promise to be appreciative of the effort, and I’m hopeful that my anticipation will be replaced by a huge smile.

01) Walter Clevenger – He’s been more centered on his production work than recording. Maybe he’s busy, maybe it’s the frustration of releasing wonderful albums that failed to launch him into the mainstream. But I wish he’d keep punching that wall until it falls. Stop breaking my Paper Heart.

02) Tonio K – A repeat submission, I’m sure, and I know he’s out there because his work shows up on other people’s albums. I wish he’d just saddle up and form a band – Nashville, LA, whatever – and record his own material again. Don’t that make you want to jump right up and start to dance?

03) Fountains of Wayne – There have been a few collaborations with others, from songwriting for Russell Brand to the apparently one-off Tinted Windows project. We need your pop genius, now. Don’t give up.

04) Joe Jackson – You came out in that same “angry man” wave as Graham Parker, Elvis Costello and John Hiatt. Guess who is the only one not releasing new material? Pretty soon now, you know you’re gonna make a comeback.

05) Richard Belzer – you might think this is an odd choice, but Belz was a great stand up comic long before he made a living playing Detective John Munch. Call me a rooster on acid, but i think since he’s been popping up on celebrity roasts, he might have an album in the can.

Waiting to be rocked.

06) The Montgomery Cliffs – Man, I miss this band so bad. Great songs, great presence, big sound and a killer sense of humor. That band, she was good! Hope they reunite or Joey Salvia will have to continue to play for Republicans.

07) Artful Dodger – A lot of pop bands have reunited in the past few years, some for the cash, some out of curiosity, some purely out of the respect for their music and their fans. Artful Dodger never got the credit they deserved the first time around, and their 2006 show in Cleveland proved they still had it. Will bands who copped their style be jealous? I say there’s honor among the thieves.

08) The Faces Rod is back to spewing out collections of pop standards, but Ron, Mac and Kenney hooked up with Glen Matlock and Mick Hucknall to play a series of shows and apparently not only have more dates in 2011 but some new material to record. Rod passed, so let him go!  Seize the day, mates! And this time stay with me.

09) Love NutAndy Bopp moved from Love Nut to Myracle Brah to solo and collaborative efforts, but the pure pop power of Baltimucho needs to be revived. You could just change anything that you want, ’cause that’s alright.

10) The Kinks – Yes, I know there’s another Ray Davies album on the way. Yes, I know he and Dave have sibling issues. I hoped Pete Quaife‘s passing would have woken them up to how tentative life is, since Ray’s bullet hole didn’t do it. Come on, boys…give the people what they want.

1 Comment

Filed under Comedy, Film/TV, Music, Reviews

T.G.I.F. – Top Ten Albums of 2009

Someone always disagrees

As you may or may not know, scrambling to assemble a Top Ten list of the year for anything is a pain in the ass, since many times eligible films and albums don’t come out until December. For that reason (let’s put procrastination aside for a moment) my deadline has always been Super Bowl Sunday, which use to be sometime in January. This year the Gods of Sport have decided to move the game back into February, probably to pretend its part of the Winter Olympics. And with all the wonderful decisions they have been making, who are we to question the brilliance of network television executives? 

But each year the deadline for the Village Voice gets earlier. So while I am still filtering through decisions on the lower end of the top forty, the Top Ten is cut in stone. (The full list will be available after the Super Bowl.)

I’ve already posted reviews for some of these albums, others will be forthcoming (some are not yet published in the respective magazines they were submitted to). So without further ado, I hereby announce my choices for the Top Ten Albums of 2009: 

  

One : Love and Curses (The Reigning Sound) 

Two: Lions in the Street (Lions in the Street) 

Three: National Champions (Olympic Ass Kicking Team) 

Four: 1372 Overton Park (Lucero) 

Five: Learning Love (Bobby Emmett) 

Six: More Like Me (Webb Wilder) 

Seven: Tinted Windows (Tinted Windows) 

Eight: Little White Lies (Fastball) 

Nine: Spills and Thrills (John Paul Keith and the One Four Fives) 

Ten: House To House (Tripwires) 

 

Link to my Village Voice Pazz & Jop ballot

My centricity rating, or how far off center my choices are. (Very

*** 

R.I.P. – the Greta Garbo of authors, J.D.Salinger 

1 Comment

Filed under Features and Interviews, Music, Reviews

NEW ALBUM! Tinted Windows

Pure Pop for Then People

Pure Pop for Then People

I’m going to lay my cards on the table right up front, so if you want to be one of the snarky majority you can click away now. Because I’m here to tell you that Tinted Windows – the self-titled album from Bun E. Carlos, Adam Schlesinger, Taylor Hanson and James Iha – is the best pop record anyone has released to date in 2009.

(Waits for snarky people to laugh…or leave…)

Sample this, mofos.

This album rockets right out of the box with “Kind of a Girl” and doesn’t let up, which is no surprise considering Fountain of Wayne‘s Adam Schlesinger wrote the first four tracks (and seven of the eleven songs overall – eight if you count the co-write with Hanson). “Kind of a Girl” is jukebox glory; it has the big hooks, the octave choruses, the machine gun drums and Hanson’s best Robin Zander impression. Like a few songs on the album, it’s reminiscent of Cheap Trick‘s landmark In Color album (look no further than the ‘c’mon c’mon’ within “Messing With My Head”, another single in waiting). Adam’s second best contribution is the rocking “We Got Something”, which hopefully follows “Kind of a Girl” out of the chute as a single. It’s classic 70s powerpop with a more muscular mix.

But the killer single here might be track 3, the power ballad “Dead Serious” – I don’t think I’ve heard a better radio song all year. It is a monster. You give this track to any American Idol contestant, any young pop star being marketed to the melodic pop crowd…hell, any country-pop female from Kelly Clarkson to Shania Twain and they could top the charts with it. It’s that simple. It’s that infectious. It’s that perfect. But the industry isn’t going to let a man band run with this, even if the lead singer is as close to a teenybop idol as the rock world has at the moment.

“Dead Serious” live at SXSW.

James Iha adds a hooky mid-tempo “Back With You” (Bryan Adams would top the charts with this) along with the riff rocker “Cha Cha”(if The Sweet reunites, this is a natural). Hanson’s two efforts are solid pop as well; “Nothing To Me” again sounds like a Big Star track ghostwritten for Zander, and the co-write with Schelsinger (“Take Me Back”) is classic stutter-stop power-pop, complete with those ooh-ooh-ooh choruses that make girls swoon. Bubblegum pop so sticky sweet that you’ll need to wipe your hands after listening…not that there’s anything wrong with that.

But despite all of the above, this album and band/project (whichever it turns out to be) will ultimately fall a bit short. Why? Because there is no market for power-pop. Every one of these tracks would sound just fine blasting from the radio, especially in summer, but the likelihood of that peaked thirty to forty years ago. Powerpop doesn’t have a fan fest. Powerpop doesn’t have a video channel. Powerpop doesn’t go well with skateboards and hoodies.

You could give these songs to Pink and she’d make an album that would sell millions with minimal changes to the arrangements. Shania would have Mutt country-punch the production and she’d revive her career. Britney Spears could even have her people douse these songs in beats, ridiculous echo and synth programming and hire forty dancers…but if she cut these songs people would take her seriously again.

But any of those people – and more – would probably just fuck it up anyway. Instead we have the right men for the job, albeit at the wrong time. It’s too bubblegum for Cheap Trick. It’s too consistently rocking for Hanson. It’s too lyrically adolescant for Fountains of Wayne. And as far as Smashing Pumpkins…well, it doesn’t suck.

But whoever cobbled this foursome together hit the bullseye – a great songwriter, a classic pop drummer, a chunking power chord guitarist and a cherubic vocalist. They sound like they’re having a blast and most importantly they play to their strengths. Iha proved on his solo album that he’s not a front man, but he has chops; likewise Schlesinger knows these songs are more about hooks than message and need to be sung by a younger, more enthusiastic pop star. Carlos, as always, is a rock solid foundation. They released a great album. Hopefully the lads will look in the tinted mirror and tell themselves  “We Got Something”.

All those bad reviews are missing the whole point. They are wrong. I am right.

But stop reading and let your ears decide.

 Live version of “Cha Cha”

Live version of “We Got Something”

Video for “Kind of a Girl”

Video for “Messing With My Head”

NOT Tinted Windows.

Frankenstein project, monster hits.
Frankenstein project, monster hits.

4 Comments

Filed under Music, Reviews