The six-episode run of The Increasingly Poor Decisions of Todd Margaret just ended Friday night, and if you missed this brilliantly uncomfortable show you need to get your DVR primed to recapture the encore runs this week. David Cross is spectacularly cringeworthy in the lead, an inept pathological liar whose life choices are social quicksand. Frequent collaborator Will Arnett is the yang to David’s yin; he plays Brent Wilkes, a character Cross describes as “an unrepentant, crass douchebag“.
I’m hard pressed to tell you why this was one of the funniest shows I have ever seen on television without ruining the experience. Cross plays Todd Margaret, an inept temp worker who Arnett’s character misjudges; he pegs Todd as the perfect guy to launch a new energy drink (Thunder Muscle) to the Brits. Starting as a tale about a guy who gets in over his head, it quickly devolves…and then keeps getting worse. As Cross stated in an interview, The one thing that was important to everyone involved was that this project not simply be a fish-out-of-water comedy. Like, “Hey, you drive on the wrong side of the street!?” None of that.
On The Office, David Brent (or in America, Michael Scott) makes one cringe but you know there’s a sliver of common sense under the false bravado. Todd Margaret…not so much. Compared to Todd Margaret, Tobias Fünke has his life together.
Suffice to say, if you are a fan of Cross or Arnett and can find humor in even the most uncomfortable situations, you will absolutely love this program. And a DVR alert – although the show blocks out at a half-hour, IFC runs the episodes commercial free, filling up the last ten minutes or so with promos and adverts. A great move, since getting up for the commercial would interrupt that perfectly squirming feeling you get from not getting a reprieve as things spiral downward.
“The cool thing about Todd Margaret is that, while a straight ahead comedy show, it tells a story that has a beginning and an end. Every episode starts the next morning after the previous episode so that the sense of inescapable impending doom is heightened exponentially with each subsequent show,” said David Cross. “There’s no escape.”