Tag Archives: Todd Rundgren

T.G.I.F. – Ten For Todd Rundgren

Might get the chance to see Todd Rundgren again this weekend; he usually breezes through town every eighteen months or so with a different show every time. Being in a secondary market, we don’t always get the premium themed shows. Last time through he bookended a run-through of his Liars album with some classic hits, but bigger cities got a walk-thru of A Wizard A True Star.

This time I was excited to see him because he’s playing the Healing and Todd albums in their entirety…but then found out that our show is called Todd Rundgren’s Greatest Hits. That’s not exactly chopped liver, mind you, but I was looking forward to being part of a cheering throng singing the chorus of “Sons of 1984” and trying to keep up with “Lord Chancellor’s Nightmare Song” (never could, never will). But he’ll dazzle regardless; no doubt alternating ballads and rockers (as I did below).

Regardless, Rundgren is a true rock icon. He turned sixty-three last week and shows no signs of slowing down, let alone stopping. Always a great song interpreter, his upcoming album re:Production will feature covers of songs he produced for other bands. Considering that list includes Meatloaf, The New York Dolls, XTC, Grand Funk, Rick Derringer, The Tubes and The Psychedelic Furs, this could be a lot of fun.

Yet another reason The Rock And Roll Hall Of Fame is a sham – one of the most prolific artists, producers and innovators of the last four decades has yet to get an invite.

But he’s in mine, so this week’s TGIF offers Ten For Todd Rundgren

(01) – I Saw The Light

(02) – The Very Last Time

(03) – Can We Still Be Friends?

(04) – Initiation

(05) – Hello It’s Me

(06) – Black Maria

(07) – We Gotta Get You A Woman

(08) – Sons of 1984

(09) – A Dream Goes On Forever

(10) – Utopia Theme

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T.G.I.F. – Ten Solo Saviors

I love to have my ass kicked by a great rock band as well as the next guy. But I can also appreciate that a true songwriter and performer can be just as incredible with just a piano or guitar in a solo show. Maybe it’s the economic necessity, maybe it’s the desire to retain total control, maybe both. But more and more artists are hitting the road acoustically, and usually in an intimate enough setting where the artist-audience connection is truly electric.

Some started out this way, of course, and the bands came later. But many of them discovered their innate ability to command the stage with stories and humor as well as the gift of their songwriting. I’ve been fortunate enough to see magic over the years.

And yes, it was seeing Todd Snider on Thursday night that prompted this week’s TGIF, so here are Ten Solo Saviors – artists playing in your small club – or maybe even your living room – who you should be making a pilgrimage to see. Have a safe and happy weekend…

(01) – Todd Snider

(02) – Graham Parker

(03) – Nick Lowe

(04) – Pat DiNizio

(05) – Peter Case

(06) – Elvis Costello

(07) – Ray Davies

(08) – Ian Hunter

(09) – Todd Rundgren

(10) – Ian McLagan

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Taxman, Mr. Thief

Taxman

It’s Only Money, Tyrone

Broke Down and Busted

Money Talks

Salt of the Earth

I’m still broke, but at least I feel better now.

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New Album! Hans Rotenberry and Brad Jones

New to you, anyway – it came out last Fall.

But what has hit the street is the new issue of Bucketful of Brains, the great UK pop mag that has defied the odds and the decline of print journalism. Still going strong, still published on schedule, and still a place I’m proud to hang my keyboard each issue. Click here to find out more.

That’s where you’ll find my review of Mountain Jack, the album from Hans Rotenberry and Brad Jones. Any powerpop fan hearing those two names would instantly get excited; Hans has led the great band Shazam for years and Brad Jones is one of the great pop producers of our time as well as a solid artist in his own right. And while the collaboration might sound different than you would expect, it hits many of the right buttons.

Here’s my review…

Video: “A Likely Lad

Having produced four of the Shazam albums, Brad Jones knows every feint and jab that Hans Rotenberry has in his repertoire. So the pairing of bandleader and producer sounds much like you’d expect, a collaboration that draws heavily upon chunky rhythms, clever (but sometimes obtuse) lyrics and tight harmonies – not to mention song structure that draws heavily upon The Move and early Todd Rundgren. It’s a welcome return for Brad Jones, the powerpop producer who dropped the brilliant Gilt Flake on us many years ago and then dropped back out of sight like a February groundhog.

Those expecting the amp-cranking sound that the Shazam is famous for might be taken aback by the predominantly acoustic format, let alone songs like “Froggie Mountain Shakedown”. But the Americana-cum-powerpop formula suits the pair well; it’s loose and fun, and there’s enough cowbell to balance out the mouth harp. With “Count On Me”, “Likely Lad” and “It Would Not Be Uncool” they have three hit singles at my house, and hell, “Greef” is an Exile on Main Street doppelgänger as much as “Back To Bristol” recalls Alex Chilton. Take the plunge.

Mountain Jack at 50ft Records

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T.G.I.F. – Ten From Daryl’s House

Last weekend my friend Bill shot me a link to Daryl Hall and Todd Rundgren performing “Can We Still Be Friends“, and it knocked me out. I’ve seen Rundgren live a few times in the past decade, and he’s been solid, even returning to some serious guitar wanking on the most recent tour. As for Hall, he’s always owned one of the most amazing voices in rock, and like fellow Philadelphian Rundgren, he’s definitely among the names you rattle off when someone wants to list the great white soul singers of our era. Maybe they’re not the energetic spring chickens they used to be, but if I’m this cool when I’m in my sixties, I’ll be thrilled.

I don’t know why I don’t zero in on Live From Daryl’s House more often than I do. You know the drill – famous guy invites famous friends over, they hang out and play each other’s songs. That was the original concept for Unplugged when Jules Shear hosted the show, long before MTV caved in to the major labels and changed it to a launching pad to sell live albums.

So this week I give you Ten From Daryl’s House – maybe after you give a listen you won’t be as much of a stranger anymore, either. I think you’ll flip at how good Guster was, and that last clip with longtime partner John Oates shows why so many of us mourn the loss of T-Bone Wolk, a musician’s musician and a great guy.

(01) – Todd Rundgren: “Expressway To Your Heart

(02) – Guster: “Do You Love Me

(03) – Plain White T’s: “1,2,3,4”

(04) – Robby Krieger and Ray Manzarek: “Break On Through

(05) – Smokey Robinson: Tears of a Clown

(06) – Nick Lowe: Cruel To Be Kind

(07) – Company of Thieves: Piece of My Heart

(08) – Parachute: “She Is Love

(09) – KT Tunstall: Something To Talk About

(10) – John Oates:Backstabbers

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What Decade is This, Anyway?

It's the end of the world as we know it, and I feel...dizzy?

Seems like a lot of famous bands from my wonder years want to get one last album out before the world explodes into dust in 2012. Probably time for an arena tour too, although I don’t know why they’d need all that cash. Don’t you only need new Nikes and a roll of quarters to board the spaceship?

I guess what triggered this post today was remembering that The Cars are regrouping and releasing a brand new album (Move Like This). Now a quartet since Ben Orr is no longer with us, the band decided they didn’t want to bring in any outsiders. Well, that’s their take on it with Ric Ocasek in the fold, anyway; they are conveniently not mentioning a failed experiment called The New Cars. But that’s just picking nits.

Videos: The Cars – Blue Tip” (full song), “Sad Song” (clip),  “Free“(clip)

And it doesn’t end there. Steve Miller resurfaced with Bingo last year after a very long hiatus, and now he has another called Let Your Hair Down. Former Babys and Bad English frontman John Waite is releasing Rough and Tumble, pouting puss and all. The New York Dolls continue their rebirth (albeit with another change in band members) with Dancing Backwards In High Heels, and R.E.M. has Collapse Into Time.

Low Country Blues is Gregg Allman’s first solo release in fourteen years. Paul Simon will turn seventy this year (!) but So Beautiful Or So What ends five years of (sounds of) silence for him.

More recent bands are also ending extended vacations. The Strokes have their first in five years as do the Foo Fighters, and Radiohead ends an even lengthier one with The King Of Limbs. Social Distortion has already blazed back on the scene with Hard Times and Nursery Rhymes, and most of Oasis is back under the name Beady Eye.

Video: Beady Eye – The Roller

And even artists I avoid like Duran Duran, Stevie Nicks and Edie Brickell are taking another shot. (Brickell nauseates me so thoroughly that I’m not even providing a link.)

Amazon is even dangling an order for Robin Zander’s Countryside Blvd for the third year in a row. I’m starting to think there’s really no album at all. Look at that album cover – maybe he’s just mocking Toby Keith. Ludicrous suggestion? Anything is possible – remember, this really happened.

Hey kids, rock and roll. Rock on.

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Do Ya (Feel Lucky, Punk)?

The Powerpop Criminals are at it again…

This time it’s a thematic album composed of rock and powerpop bands covering the classic Move song, “Do Ya“. One of the all-time classics, it’s been a favorite cover tune for a lot of bands with its off-kilter verbal cadence and its anthemic sing-along chorus. Hell, if you only know the words “do ya do ya want my love?” you’re already halfway there.

Video: “Do Ya” (The Move, studio version)

Although the song was first done by The Move, it was one of its spin-off bands that made it more famous – The Electric Light Orchestra, or as they are better known, ELO. I love The Move and Roy Wood, but Jeff Lynne made a much superior version with ELO.

Video: “Do Ya” (ELO, live version from Midnight Special)

Powerpop bands gravitate to this song like moths to a flame – chunky fat power chords, opportune for great background harmonies, and a stomping beat that has serviced every rock band since the invention of the third chord.

So click here!

Included in this compilation are versions by Jason Falkner, Matthew Sweet, Ace Frehley, Yo La Tengo and Todd Rundgren’s Utopia, the latter from the initial three-keyboard version of the band. (By the way, those first two albums – Utopia and Another Live – kick serious ass!)

And lest you think this is the first time someone came up with this idea, may I introduce you to the amazing Anna Borg, whose TallBoy Records issued an extended play clear vinyl single in 2002 with four bands covering the classic: Parallax Project, Kenny Howes and the Yeah, Linus of Hollywood and Einstein’s Sister. You can buy that here along with many other great releases (I highly recommend that Sugarplastic series of singles!)

So…do ya feel lucky, punk?

Do Ya?

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