Tag Archives: tribute album

Paying Tribute! The Kinks

Another in a series of Kinks tribute albums, Unkovered features a mostly lesser-known roster of artists who produce mixed results. About half the songs are from the classic late 60s period, but I was glad to see the usual targets like “You Really Got Me” skipped over and tracks like “Dandy” and “Who’ll Be The Next In Line” get covered.

Some of the artists offer little more than straight cover versions. Ghosts of Electricity handles “Sunny Afternoon” about as well as you’d expect a bar band to play it, and James O’Malley’s odd pauses in “Celluloid Heroes” gives it an odd Harry Chapin flavor but neither track sticks in your head.  On the other hand, while Maura Kennedy’s cover of “Autumn Almanac” doesn’t vary much from the original arrangement, her lilting voice perfectly suits the song, and she inhabits it with spirit and heart.

A couple of my favorite tracks have been given a country flavor, and why not? Muswell Hillbillies, Percy and Village Green Preservation Society did nothing if not celebrate family, hearth and home from the English perspective. The Corduroy Sky’s take on “Holloway Jail” morphs from simple acoustic riffs to a lightweight version of Lynyrd Skynyrd, and Caroline Doctorow’s beautiful “Oklahoma USA” (with Maura and Pete Kennedy backing up) is the standout cut on the album along with The Blaggards’ “Last of the Steam Powered Trains”.

Other artists took chances; Smile Pretty Misery treats “Set Me Free” like a dark confessional, while The Lone Sharks threw “Willesden Green” through an Elvis Presley filter. Johnny Cuomo’s ragged voice makes Rod Stewart sound silky, but at least he infuses some emotion into “Dead End Street”, much like Patrick Costello’s wailing guitars save “Give The People What They Want”. There are disappointments – I found Tara Eberle’s “Do It Again” and Claudia Jacobs’ “Loony Balloon” pretty tepid – but for a regional label (Long Island, NY) it’s a pretty decent tribute disc.

Die-hard Kinks fans collect everything related to their heroes; hopefully they will find a few favorites on Unkovered to listen to alongside This is Where I Belong, Shangri-La, Give The People What We Want and the other loving tips of the cap.

Listen to clips from Unkovered at Amazon.

Unkovered is released on Paradiddle Records.

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Brian Wilson, Almost

We continue this weekend’s tribute to the yeoman work done by Angelo and crew at Power Pop Criminals with a tip of the cap to Pocket Symphonies To God, the Brian Wilsonesque collection of tunes that feature a whiff of Pet Sounds and/or Smile in their sound.

Once again we’re talking about the influence of Brian Wilson’s music in original songs from artists who obviously have a little sand in their music. One of the best examples of this concept I have ever heard is Pet Soul by Splitsville, a perfect marriage of Brian Wilson and Paul McCartney. In real life those two giants were trying to one-up each other, and the Beatles and Beach Boys albums of that period served and volleyed. As you can tell by the name, Splitsville’s hybrid musical opus blended Pet Sounds and Rubber Soul; their brilliant “The Love Song of B. Douglas Wilson” is one of the tracks included here.

(Note: Pet Soul was a free four-track EP first distributed at Poptopia in the late 90’s; you can purchase The Complete Pet Soul and I highly recommend that you do!)

Your Wilsonesque journey will feature appearances by such wonderful artists as Dave Edmunds, Ken Stringfellow, The Wondermints, Jeffrey Foskett, The Paley Brothers, The Nines, Pugwash and The Squires of The Subterrain, household names to most powerpop fans. The music, like the artists, is eclectic and wonderful, and hopefully you will find a new favorite artist or two and support them by buying their music.

So just click here and you’re on your way to Wilsonesque magic!

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Blast From The Past: Iggy Tribute

And I do mean blast – play this one loud!

Happened to pull this album off the shelves the other day, and sure enough, way back in 1998 I scribbled some words about it for TransAction Magazine. Funny how things change; although I liked their cut here I swatted Nada Surf with a backhanded compliment. Over the next decade they blossomed into a great band whose albums made my year-end lists more than once.

I still love tribute albums when they’re made from the heart; bands and project coordinator fully on track with the artist being feted. Even a small label trying to promote their artists can sometimes expose a great unknown band. It’s the major label projects that often leave me cold. (Jennifer Lopez fans aren’t going to want to hear her sing Bruce Springsteen, and I’m pretty sure fans of The Boss don’t want to have to scrape their ears clean with a fork, either.)

But enough about that – heeeeere’s Iggy!

Royalty Records has assembled a twenty-track, seventy-three minute tour through Iggy Pop’s career, the third such collection I’ve seen but easily the most high-profile. Reading the artists and track listing on the back cover would be enough inspiration for even a fringe fan to grab the disc, but the contents may surprise you. While some big names turn in respectable takes, a couple of the brightest moments come from the most unlikely artists.

Nada Surf always struck me as a one-hit MTV band, but their great version of “Sick Of You” is reminiscent of Love It To Death era Alice Cooper! Sugar Ray, another band-of-the-moment, torches “Cold Metal” so thoroughly that not even the insipid turntable scratching during the solo can take it down. Pansy Division shows that they have balls after all with a great rip on “Loose”.

The Lunachicks make “Passenger” an aural treat all over again, and Extra Fancy’s shuffle version of “Sell Your Love” is one of the two or three best cuts on the record. The Red Hot Chili Peppers do a credible version of “Search And Destroy”, but it’s licensed from seven years ago, not newly recorded. If they were going to rob the vaults, I would have much preferred the Dictators’ classic flame-thrower interpretation.

Not everyone shines, however. An almost-unrecognizable Superdrag drones their way through “1970” and Blondie (here reformed as a four piece under the pseudonym Adolph’s Dog) schmooze their way through “Ordinary Bummer” (what a waste of a Clem Burke sighting!). With tribute projects you take your chances, and the couple of clinkers aside the percentages are very good on this one.

Listen to clips from this album.

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Emitt Rhodes Documentary – it’s here!

Finally!

After having a premiere at the Rome International Film Festival in Italy last October, the Emitt Rhodes documentary,  The One Man Beatles, is going to make its US debut Thursday July 8 at the Don’t Knock The Rock film festival in Hollywood. The film features interviews with The Bangles, Keith Olsen, Ray Paul, Michael Penn, Allison Anders, and of course, Emitt Rhodes.

Trailer

From the Italian film festival publicity blurb: “A young director crosses the ocean to find Emitt Rhodes, the mysterious forgotten American pop star from the 1960s/70s, once dubbed as the secret alter ego of Paul McCartney. But these theories are refuted by Emitt himself, flushed out and placed in front of a video camera after many years spent holed up in his house full of old guitars and vintage amplifiers. His words reveal a past filled with regrets. His voice and his music proving his pure talent.”

In conjunction with the release of the film, Permanent Press is releasing a single by Ray Paul that was intended to be on the Emitt Rhodes tribute album Rhodes Of Perfection (currently put on hold by Brewery Records). Ray’s cover version of the Emitt Rhodes composition ‘Til The Day After” has just been sent to radio and will appear on the August 2010 radio industry trade CD Sampler A Taste Of Triple-A.

Rhodes and Paul have a long history; they performed together in concert in February 1997 in Santa Monica, California and some footage of that show is included in the film. A collaborative single, “Some Sing, Some Dance“, released in May 2000, received airplay on 55 Hot A/C  and A/C stations.

Listen to “Til The Day After

Listen to clips from Emitt’s discography

Emitt Rhodes website

Ray Paul website

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Under The Radar: Sounds Like…?

My buddy Angelo over at Power Pop Criminals has done it again.

Angelo loves well done cover tunes as much as I do, and we probably share the same disappointment that record labels don’t often do a good job assembling tribute albums. PPC’s Beatle album recreations, for example, are works of art (literally – the cover art on their home-crafted mixes is always first-rate!). So like many of us do, Angelo makes mix tapes to compensate. Thankfully, he also offers them as a free download.

Last month also marked PPC’s fifth anniversarycongratulations!

Head on over to PPC. You’ll find a wealth of magic in the archives and hopefully discover a new favorite artist or two; hopefully your interest will turn into support via album purchases and concert tickets. I’ll bet you find a couple of new (to you) bands that will floor you in this collection.

Here are his words on the subject:

“I guess you all remember Dave Edmunds recreating the Phil Spector’s Wall Of Sound, or how many bands have contributed to the Beatlesque history of Power Pop and some other artists searching for the perfect harmonies of Brian Wilson, even The Fab Four did this with “Paperback Writer”. All those bands have something in common, the love and respect for these forerunners. So instead of covering some classic tunes, they wrote original songs, mixed and produced them in the spirit of the bands we all love.

This new 2CD PPC collection is my humble try at compiling the homages recorded by the bands featured here. Of course, some of you won’t hear what i’ve heard, but you won’t deny the L.E.O.’s song might be one of the best songs Jeff L. has never written, or that Marc B., Bob D., Elvis C. can be heard without being really featured. Some other acts have included partial references to their heroes – this is how Roy Wood’s Wizzard can be heard with some glitter stomp in the same song, i could write and on and on, but where would be the fun of discovering the  tributes hidden in the songs. Enjoy.”

Some Soundalikes is available at the PPC website.

 
 

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