Every so often I Google just to see if he’s still out there, rockin’.
He was in the 60s.
He was in the 70s.
He was in the 80s.
He was in the 90s.
He was in the 00’s.
And he was just in Germany doing it again.
Still alive and well.
It’s only appropriate that the band plays the theme from The Godfather before Mitch Ryder takes the stage. After all, Mitch is the Godfather of Detroit Rock’n’Roll. On this new live album, Ryder and the current version of the Detroit Wheels prove that Ryder is still a vital force forty years after smashing through transistor radio speakers with hits like “Sock It To Me”, “Jenny Take a Ride”, Little Latin Lupe Lu” and “Devil With a Blue Dress On”.
The Mitch Ryder experience that America gets these days is a lot different from what the Eurpoean audiences enjoy. Across the pond Ryder is still viewed as a creative force and he’s released several albums. He usually tours with a different band (most recently Engerling) and plays a more diverse setlist that features newer music. Here in America, thanks to clueless radio programming, there’s no room to enjoy these treasures, so the set is mostly recognizable hits. To his credit, Ryder does not shortchange the fans just because the media doesn’t respect him. He always has a great band, plays a lengthy set, and will slip in a couple of great non-hits inbetween the ringers.
This set was recorded in Las Vegas in 2008 and the sound is phenomenal; editing mixes the audience down and trims the between song pauses to a minimum. The 2008 version of The Detroit Wheels are mostly younger Michigan guys – some played with Uncle Kracker – but the band is airtight and Ryder is in great voice. In addition to the aforementioned major Wheels hits, highlights include the Prince cover “When You Were Mine”, an extended version of “Gimme Shelter” (featuring a tasty Stones medley intro on piano by Patrick Harwood), and a swinging version of “C’est La Vie”. And, of course, his version of Lou Reed‘s Rock And Roll has been the definitive arrangement since he cut it with the band Detroit in 1970.
Ryder not only has another live album coming out in Germany (Air Harmonie, on the BuschFunk label) but also has recently completed The Promise with producer Don Was, which will hopefully be his first American release since 1983’s Never Kick A Sleeping Dog. Ryder just turned 64 years old but sounds like a man half that age; he’s still one of the very best vocalists in the history of rock’n’roll.