Tag Archives: Young Fresh Fellows

Frontier Records Celebrates 30 Years

One of my favorite bands – ever – is the cowpunk group E.I.E.I.O., and their first two killer albums bore the signature flag logo of Frontier Records. Little did I know at the time that the label originated primarily as a punk provider, as some of my favorite indie bands like The Pontiac Brothers, The Long Ryders and Thin White Rope would soon share that imprimatur. Now the little label that could turns 30 – an incredible achievement in a waning industry.

From the press release:

Frontier Records, the independent Los Angeles-based record label founded in 1980 by Lisa Fancher, and Part Time Punks, a weekly club that focuses on obscure and classic music from 1978 to present, will be celebrating the 30th Anniversary of the seminal Los Angeles label with a massive blow-out show in Echo Park on Sunday, November 7 at the Echoplex.  

Confirmed acts include O.C. hardcore legends The Adolescents, a rare one-off performance from the reunited Middle Class, a solo set from guitarist Rikk Agnew, original L.A. ’77 punk band Flyboys and the drunken rock stylings of The Pontiac Brothers.  The Master of Ceremonies for the evening will be Circle Jerks frontman Keith Morris. Additional Frontier bands are soon to be confirmed and will be announced in the coming weeks.

Frontier Records was founded in Los Angeles, CA, in 1980 by Lisa Fancher and was one of the first independent labels to document the nascent L.A. and O.C. hard-core punk rock scenes before branching out into other scenes and sounds such as the so-called “Paisley Underground” and (always) guitar-based bands along with genres such as goth, alternative country, pop and more.

Bands releasing records on Frontier include: Circle Jerks, Adolescents, The Weirdos, TSOL, China White, Redd Kross, Thin White Rope, Heatmiser, Young Fresh Fellows, Christian Death, Dharma Bums, American Music Club, The Long Ryders, The Three O’Clock, The Pontiac Brothers, Naked Prey, Flop and many more. The label’s 100th release will be a reissue of the 1979 compilation Yes L.A.

Who says chicks don’t rock? Good on yer, Lisa!

Frontier Records homepage

Frontier Records Wiki page

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New Album! The Who Sell Out

If you fart in a tub of beans, does it smell?

If you fart in a tub of beans, does it smell?

Well, not new, really – but finally my favorite Who album gets the full remaster/reissue/rebirth process. I always felt that The Who Sell Out was the perfect intersection of their early powerpop singles and their later epic thematic recordings. “I Can See For Miles” got airplay and rightfully so, but wasn’t the monster it should have been. But even more amazing is the deep well of other great songs that never got their due. “Tattoo” remains one of my favorite Who sings of all time, and I still love the twist in “Odorono”, as silly as the subject matter is. But “Our Love Was”, “I Can’t Reach You”, “Relax”, “Sunrise”…these are brilliant tracks.

Who fans will relish the new edition, but casual or new fans who never explored this album will be blown away. With stereo and mono versions, boatloads of alternate mixes and bonus tracks and an informative booklet, it’s well worth grabbing. Some fans might complain that there could be more (all mixes of the singles, live cuts, etc.) but I think this is one of the better reissues I’ve seen come down the pike.

A few years back there was an tribute album slated for Futureman Records  called The New Sell Out that boasted an A-list of current powerpop bands (Splitsville, Myracle Brah, The Shazam, Young Fresh Fellows, etc.). The cuts I heard were fantastic, but ultimately the project was aborted. Some of the songs have shown up as bonus tracks on the individual band’s releases, while most sadly remain on the shelf. Hopefully someday this sees the light of day. (You’d think now would be the appropriate time, hmmm?)

And for a wildly original take on this classic, you must check out Petra Haden‘s acapella tribute. Unbelievably amazing… she recreates all the songs – and commercials – with just her voice.

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