Tag Archives: HBO

T.G.I.F. – Ten Emmy Thumbs

That’s thumbs both up and down, as it looks like the voting academy finally started to recognize that basic cable programs are pretty much kicking TV’s ass right now. Yes, Mad Men had gotten tons of accolades (and deservedly so), but TNT, FX and USA have been pumping out quality programming with interesting characters and solid casts without getting their due. I’m still burning over the fact that The Shield got their attention in the first season but then fell off their radar after that despite six seasons that raised the bar every year. But we shouldn’t cry over spilt blood.

This year’s list of nominees did provide some surprising nods that put a big smile on my face. But as always, there were some jaw-dropping announcements that just made me shake my head. So for this week’s TGIF, how about Ten Emmy Thumbsfive up and five down?

(01)Justified: Walton Goggins got screwed over so many times on The Shield that I lost count, and I was afraid that his dynamic performance on Justified was going to be overlooked as well. But thankfully voters woke up and nominated him along with series lead Timothy Olyphant and the amazing Margo Martindale (who might have given the single best performance on television this year).

(02)Louis CK: Not only did he grab nods for his show and his acting, but his comedy special picked up two nods as well. Denis Leary had to watch The Job get ignored before hitting it big with Rescue Me; let’s hope Lucky Louie opened the door for a long ride with Louie.

(03)The Good Wife: a strong show that appeals to men and women, and Alan Cumming got a well-deserved nomination along with star Julianne Margulies.

(04)Robot Chicken: Some of the absolutely gut-bustingly funniest shows on TV are buried in the Adult Swim section of the Cartoon Network. Seth Green continues to amaze.

(05)Parks And Recreation: The pendulum on Thursday’s NBC comedy block has clearly swung to the newer half of the evening, with Community and P&R really stepping up their game. Amy Poehler is great but Nick Offerman should have been a no-brainer nominee.

(06) – Um…where are the nominations for The Closer, Castle, The Walking Dead, Treme, Fringe and just about anything sci-fi related?

(07)Modern Family – great show with a great cast. But did every single adult cast member deserve a nod? You couldn’t slide in anyone from Community or Parks and Recreation? Have you not seen Children’s Hospital?

(08) – Category Blunders! Since when is SNL a comedy series and not a variety show? Kristin Wiig gets a supporting comedy actress nod? Hosts of the show are guest actors? How about people like Mary McConnell and Cloris Leachman, who are cast members in the shows they were nominated for as guests?

(09)The Good Wife – like Modern Family, a good show, but let’s get real. Christine Baranski and Josh Charles are good actors, but…the best? There are at least ten people on Sons of Anarchy alone that blew them out of the water, and that show was completely overlooked again this year

(10)Mariska Hartigay. Really? Really?

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Emmy Time!

And you thought Justice was blind?

Wow – looks like Emmy might have gotten a few things right for a change.

With Breaking Bad being out of the mix this year, does that open Best Actor? Will the old guard hold court or will the new shows start knocking off the dinosaurs? Will long running but Emmy-less favorites who are leaving shows get the sentimental vote as recognition for previous oversights?

HBO pulled in a whopping 104 nominations. The next most was CBS with 50.

Basic cable is in the house! Do they have a chance?

Here is the list of nominees. Tomorrow’s TGIF will look at the worthy nominees and the glaring omissions.

Snark attack!

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T.G.I.F. – Ten Tanked TV Shows

I just found out that The Chicago Code was cancelled, and I’m pissed. Sure, Jennifer Beals might have floated a bit more cleavage than a Police Superintendent would do in real life, but the cast (led by Jason Clarke) was pretty strong, including the amazing Delroy Lindo as the oily, corrupt Alderman. Pacing was good and stories weaved well, like any Shawn Ryan project. But I guess we needed more space on the network for celebretard reality shows.

What else is new? Seems like when TV takes a chance, the American public is hesitant to accept it. But really, how do they know? And wouldn’t a loyal core audience not be more valuable than a flighty larger one that will only move along to the next carbon copy?

So enjoy your umpteenth Kardashian expose knowing these Ten Tanked TV Shows bit the dust.

(01) – Dark Blue – Sure, s bit sullen and somber, but good action.

(02) – Human Target – A mix of cartoon and drama. Jackie Earle Haley!

(03) – The Event – Sure, not official yet, but they killed the momentum.

(04) – Lights OutFX was the one with the quick hook here.

(05) – The Cape – Ludicrous, but that was the point.

(06) – Terriers – Like I said, not Shawn Ryan’s year. Brilliant show.

(07) – The Good Guys – Campy, broad comedy in a police setting.

(08) – Rubicon – Sorry for trying to make you think, people.

(09) – The Bridge – Jumped before it had a chance.

(10) – Running Wilde – Thankfully Will Arnett is on three other shows.

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I Knew It Was You

I don’t get HBO.

I mean, I get HBO – great concept – but I’m not a subscriber. I did, years ago, when I got everything, but as the cable company bill kept skyrocketing little by little things dropped off, until I was down to the skeletal, but still expensive, basic package. At the time I wasn’t missing much, since the home viewing market had transcended from VHS to DVD and the quality of the televisions got better. So by the time HBO started to really craft its signature programs like The Sopranos, I was so weaned off of pay cable that I still resisted. Only the advent of DVD recorders and the new market for TV on DVD box sets saved me, but shows like The Sopranos and The Wire were meant to be watched in six-hour gulps. I never would have survived the week in-between episodes.

I certainly can afford HBO now, but for some strange reason, I just haven’t bothered. Maybe it’s because basic cable channels like FX, AMC and USA have followed their lead and stolen their thunder? But the consequence is the same. Occasionally I still miss good programming, and I’ve conditioned myself to wait for the inevitable DVD, which likely will have bonus features and other amenities that would make it more than worthwhile.

And that’s my long-winded story about how I came across I Knew It Was You, the documentary about the great 70’s actor John Cazale. The title, of course, refers to the classic scene in The Godfather Part II between Al Pacino’s character and Cazale’s damaged brother Fredo. Of all the great moments in the first two films – and there were many – the last scenes between Michael and Fredo are the most haunting.

Pacino played Michael tight-lipped, private, superior. Cazale was palpable, he oozed defeat.

Cazale was only in five films, but every one was nominated for Best Picture; three of them took home the prize. He shared the screen with legends Robert Duvall and Marlon Brando as well as a Who’s Who of his generation in Pacino, Gene Hackman, Robert DeNiro, Meryl Streep and James Caan. He was never the lead, but The Conversation and The Deer Hunter and Dog Day Afternoon and both Godfathers would have been weaker without his presence.

I was captivated by the subject and by the film, but it had two major drawbacks. I didn’t really learn much about John Cazale, as the narration and the interviews basically echoed each other – an actor’s actor, found the heart of his characters, made his fellow actors better, always played true to the moment. I already knew that, having seen all of his films numerous times. Still, it was enjoyable to watch his co-stars as well as other craftsmen like Philip Seymour Hoffman, Sam Rockwell and Steve Buscemi vouch for his impact as well as his directors Sidney Lumet and Francis Ford Coppola.

The other shortcoming – literally – was the forty minute length.  Again, I was honed in on every minute, so the quality was there. But even if they couldn’t have acquired rights to longer clips of the films, certainly there were more actors who could have been involved, or reflections from major critics who analyzed his work. As stated, I didn’t see this on HBO, but since there are no commercials other than their own promos…they couldn’t even hit an hour?

There are bonus features including extended interviews with Pacino and director Israel Horowitz (Cazale acted in several of his theatrical productions) as well as a commentary and two short film projects from the 60’s, so it’s not as if this DVD isn’t a good value. Despite my comments above, I’m thrilled to own it and will watch it again. But I guess when all is said and done, what I really wanted was more John Cazale…and maybe that’s the whole point of this portrait.

He was the perfect actor; he had no public persona that would  cloud your impression of the character he put on the screen. As good an actor as George Clooney or Morgan Freeman or Clint Eastwood are, when they first appear in a film, a little voice in your head says “there he is“. But when John Cazale entered a scene, you saw Fredo or Sal or Stan. John disappeared.

Cazale died in 1978 at the age of 42. For his friends and colleagues, there is a wealth of great personal experience and memories. For me, who never met him, there are but five timeless films…and now, this tribute.

No fish today, Fredo.

John Cazale Wiki page

Cazale on IMDB.

Oscilloscope Films

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T.G.I.F. – Ten TV Tips

 

OK, couch potatoes – Fall Season is here

Not that I’m actually going to have time to watch all of these – some will actually be better as weekend marathons on DVD – but at least I could find ten new shows that seem to be worth checking out. And sure, the networks are still cloning cop shows and lawyer shows and even sinking one new program’s hopes immediately by casting Jerry O’Connell in it. He is the Ted McGinley of his generation…now that Jason Gedrick isn’t making pilots anymore. 

Yeah, I’m skeptical – and I’m not alone. Before it even aired, Outlaw was savaged by the press, despite the presence (and publicity efforts) of usual favorite Jimmy Smits; the premise was just too preposterous. And despite the always alluring Dana Delaney and Jeri Ryan, their show Body Of Proof might be its own cadaver

I’m not going to get too excited if a show starts out great, because I’ve seen some of the best shows get shot down in their infancy despite stellar writing, casting and performances. I still wince when I think about EZ Streets and Better Off Ted, and there’s a laundry list beyond those two. But before I throw my glass at the television, it’s always half-full. 

So here are Ten TV Tips for the upcoming Fall season, in random order. Remember, there’s no gambling, these suggestions are for personal enjoyment only; we do not guarantee ratings. In fact, you might not want to blink or you could miss a couple of them entirely… 

  

01) Boardwalk Empire – A prohibition-era gangster show on pay cable with Steve Buscemi and Marty Scorcese? Are you kidding me? Reason enough to buy HBO, but I’ll probably wait to watch it all in one weekend. 

02) The Event I’ll admit it, they’ve hooked me with the promos. And anytime Zeljko Ivanek is on a show – especially if he’s a little on the corrupt side – that show is worth following

03) Lone Star Con men rule. Jon Voight rules. Texas rules. I’m in. 

04) Running Wilde – Will Arnett playing an asshole. Do you really need any more information than that to tune in? 

05) Detroit 187 Michael Imperioli back as a cop after the unjustly cancelled Life On Mars. Perhaps the modern clothing and the lack of a porn stache will work this time. 

The next great epic, Boardwalk Empire

 

06) The Increasingly Poor Decisions of Todd Margaret – I’m still pissed at IFC for cancelling Jackie Woodman, but if they are putting David Cross on television I almost forgive them. 

07) Terriers – Already airing and after two episodes I’m liking it. At first I thought it would mimic The Unusuals, but it’s more Elmore Leonard-ish. 

08) No Ordinary Family I’m only thinking of watching this because I can’t picture Michael Chiklis following up The Shield with a crap series. Yes, I saw The Fantastic Four… 

09) Lights Out It’s boxing and redemption. It’s FX. It’s gonna rock

10) Shit My Dad Says – What if Captain Kirk slept with Denny Crane? Yeah, this could suck out loud, but I’ll give William Shatner a chance. 

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T.G.I.F. – Ten From Dangerfield’s

In yesterday’s essay about the loss of Robert Schimmel, I mentioned his early break on the Young Comedians Special on HBO. It’s amazing to look back at the number of famous comedians who were launched from that showcase, and to this day many still single out Rodney Dangerfield as the guy who helped them take that next crucial step in their careers.

A lesser comic might have been concerned that these new guys might overshadow them or at least become viable competition. After failing in his younger days as Jack Roy and then reinventing himself as the Rodney persona, I think he had an appreciation for how fragile success can be, and made an effort to help those he thought were worthy of a shot.

And I doubt he was worried about competitionRodney was the master.

So here are Ten From Dangerfield’s in NYC, featuring some great comics – many of whom got their career-making break from Rodney himself. Wish they’d release these old shows on DVD – people like Maurice LaMarche deserve better.

01) Bill Hicks

02) Bob Nelson

03) Richard Lewis

04) Bob Saget

05) Andrew Dice Clay

06) Fred Stoller

07) Tim Thomerson

08) Sam Kinison

09) Andy Kaufman

10) Roseanne Barr

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Post-Emmy Thoughts

Visit the official Emmy website for a list of the winners.

  • Jimmy Fallon, you did great. That opening number will go down as one of the funniest and best kickoffs in the history of the telecast. You were funny throughout the night without being overbearing and milked that child-like innocence for all it was worth. And the musical impressions were pure gold.
  • Although I was pulling for Terry O’Quinn to be recognized for his incredible work on Lost, I can’t argue with the award to Aaron Paul from Breaking Bad. I felt he should have won before, and it’s great to see that his peers recognized his efforts; so many other actors would have made Jesse Pinkman a caricature.
  • Now that Bryan Cranston’s incredibly dramatic chops aren’t catching anyone off guard, I wonder how many will look back and realize just how much he deserved the award for his work on Malcolm In The Middle?
  • It looks like 30 Rock hit the wall across the board – the show and leads Tina Fey and Alec Baldwin were collecting statues like clockwork but all three got shut out last night. I wonder if people are taking that show for granted already?
  • Ricky Gervais proved again that every awards show needs to have him on stage for at least five minutes. Again, the funniest man in the room.
  • If you told me that two people would stand up in the audience and take bows, I never would have come up with Temple Grandin and Jack Kevorkian. Never.
  • Jorge Garcia and Jon Hamm during the “Born To Run” clip – priceless. (Hurley and Hamm does have a ring to it…)
  • Claire Danes is starting to resemble Lauren Bacall.
  • The Tweets sucked the life out of the moment anytime they were read. Dump the idea.
  • Mad Men is an unstoppable force. Ensembles do rule.
  • Tom Selleck looked like Gregory Peck in The Boys From Brazil.
  • Usually those songs played during the Memorium sequence can be pretty lame, but I thought Jewel did a nice job. Might actually be the best song I’ve heard from her in years (not that I’m actively listening…)
  • Some of the “we asked them this question” film clips were beyond painful, but the one with Steve Levitan and Christopher Lloyd mocking the Old Spice man on a horse commercial was genius.
  • Bucky Gunts!!
  • January Jones looked like a Christmas ornament. And I’ll bet any hetero man in the first three rows – assuming there were any – appreciated the view.
  • Archie Panjabi as Best Supporting Actress over Elisabeth Moss and Christina Hendricks?. Are you kidding me?
  • But the absolute MVP of the night has to go to John Hodgman, who did the hilarious voice-overs again this year. They were hysterical in their own right and make you realize just how stodgy and lame and unimaginative most award shows are. Too bad he couldn’t have scripted everything the presenters were told to say.

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